Double penetration gay sex

To browse Academia. A male-female-male 3-way triangulates desire and structures relations between men. This paper focuses on the continuum between the homosocial and homosexual. Put simply, heterosexual men engaging in double penetration assume that they desire only the female participant in the erotic triangle; why are they, then, in the act together?

This article presents comparative readings of works of fiction depicting homosexuality published between andwith an emphasis on Scandinavian literature. It argues that the story of Tantalus, the mythical king whose thirst and hunger were never satisfied, functions as a catachresis that conveys the unattainability of homosexual desire.

The article further makes the case that allusions to Tantalus carry a political significance in a context where homosexuality is perceived as a threat to incipient Scandinavian welfare states. Through readings of one novella, two novels and two poems, the article seeks to show that the Tantalus trope can support heteronormativity, but that it may also function as a potentially subversive symbol of the naturalness of same-sex love.

This essay examines how three southern American gay novelists in the s covertly represented homosexuality and challenged essentialist views of gender and sexuality. Richard Ruppel's recent examination of Conrad makes his argument clear from the outset: "Intimacy for Conrad was always with other men" In a short chapter sex "Life, Letters, and Neurasthenia," Ruppel rereads Conrad's biography, his shipboard life, his famously difficult marriage with Jessie, and his close relationships with other men, noting that a homosexual orientation would account for many of the apparently incongruous aspects of Conrad's behavior and life.

At the same time, Ruppel acknowledges the impossibility of proving whether Conrad was physically intimate with men, and instead seeks to establish that Conrad was "imaginatively, if not physically, bisexual" as an interpretative key to gay fiction 2. The study that follows is a double and interesting one, building on a large body of scholarship, in particular Eve Kosofsky Sedgwick's Between Men: English Literature and Male Homosocial Desire for its theorizing of homosocial relationships and Geoffrey Galt Harpham's One of Us: The Mastery of Joseph Conrad for its study of sexuality and identity, and offering a series of rich and compelling readings of Conrad's work.

In titling his first chapter, "Playing Tricks on the Dead: Outing Joseph Conrad and the Ethics of Literary Criticism," Ruppel foregrounds the expected criticism of the case he is making, having earlier admitted that he has "no definitive defense against this charge" 4. He uses the critical tropes of the "man's man" and Conrad's "distance from women" as a starting point for this reconsideration, noting that Conrad's bachelor narrators, "his fictional surrogates," are often "obsessed with another man, frequently a younger man" Conrad himself would be "horrified" by these claims about his same-sex desire 2.

Referring to other contemporary penetrations of profound discomfort with implications of same-sex desire, Walt Whitman's angry response to a query about desire. In this paper, I aim to analyse the homosexual sex acts depicted in the film, Inxeba Trengove The analysis is informed by Lisa Downing's 'sex-critical' approach that deems that 'all forms of sexuality should be equally susceptible to critical thinking about the normative or otherwise ideologies sex uphold' Downing The findings of the analysis underscore that the film displays a phallocentric scripting of the sex act: the practices and sequence of sexual acts that privilege the erect, penetrating penis.

In cognisance of this point, the sex scenes under discussion can be critiqued for perpetuating a narrow phallocentric double of sex that runs parallel to hetero-patriarchal norms. To offer an penetration expression of homosexual sex acts, Alphonso Lingis's writings on sexuality and sexual desire provide a springboard to explore erotic caresses and couplings that encompass the entire male body.

To this end, Lingis's work is presented as a means to queer homosexual sex from hetero-patriarchal and phallocentric scriptings. The paper concludes by using Lingis's theories to imagine an alternative sex scene in Inxeba that illuminates queer eroticism and pleasure outside of penile penetrative sex.

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Chapter co-authored with Sonya Andermahr. Introduction Lesbian and gay theories originate, like feminist and Black criticism, not in academic institutions, but in the radical movements of the s. The birth of the Gay Liberation Movement can be traced to the Stonewall Riot in New York in when occupants of a gay bar resisted a police raid.

The event had a radicalizing effect on Homosexual Rights groups throughout the United States and Europe. Thereafter, Gay Liberation in the s had two main goals: to resist persecution and discrimination against a sexual minority, and to encourage gay people themselves to develop a pride in their sexual identities.